1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.   Related Paintings of Sir Thomas Lawrence :. | Portrait of the Children of John Angerstein | Portrait of Thomas Thynne | Selina Peckwell | Portrait of Princess Caroline Ferdinande of Bourbon | pinkie |
Related Artists:
John Roddam Spencer Stanhope
English Pre-Raphaelite Painter, 1829-1908,English painter. The second son of Yorkshire landed gentry, he was educated at Rugby and Christ Church, Oxford. In 1850 he studied in London with G. F. Watts, through whom he entered the artistic circle at Little Holland House, where he met D. G. Rossetti and Edward Burne-Jones. In 1857 Rossetti invited him to paint at the Oxford Union (Sir Gawaine and the Damsels at the Fountain), and in 1858 Stanhope occupied a studio next to Rossetti's at Chatham Place, Blackfriars (London), where he painted Thoughts of the Past (London, Tate); a modern-life subject indebted to Rossetti, it shows a prostitute recalling her former life. Stanhope's close friendship with Burne-Jones proved a more decisive influence on his work that, in the 1860s, consisted of dreamlike poetic and mythological subjects often set in quaint, enclosed spaces, as in I Have Trod the Winepress Alone
Hamilton Hamiltyon
1847-1928
Pierre-Jacques Cazes
(1676-1754) was a French historical painter, known as the teacher of, among others, Chardin. In 1703, he became part of the Academie, was named as director in 1743 and chancellor in 1746. He also worked in the Galerie d'Apollon in the Louvre in 1727 and produced a large number of religious paintings for churches in Paris and Versailles. His historical painting is in the same academic tradition as the French painters Charles Le Brun and Charles de Lafosse. He also painted paintings with mythological motifs and genre scenes. A portrait the artist wearing a wig and holding a portfolio was presented to the Academie Royale in 1734 by Chardin's friend Joseph Aved.